Tag: reviews

  • Maytag Land

    The song was mostly composed, arranged, and recorded within my van amidst travels down to Los Angeles in February 2026.

    The song began from a Reddit prompt: “Write a song about the happy land where socks are escaping to. But try to write it in a minor key, and add some twist.”

    It’s rare that I write from a prompt but I always appreciate prompt writing for pushing me to write something that otherwise most likely never would have been considered. It provides a kind of safe distance from what I’m writing – I don’t have to feel too attached. It’s a pure creative exercise with just enough structure to give me a direction and enough flexibility to be creative within it.

    I found this particular prompt interesting and a bit curious. I struggled at first to find an approach that made sense to me. I started writing about the many socks without pairs I’ve got in a drawer and a few other things that felt too concrete. Eventually I removed myself from the story and focused instead on it being a sort of recruitment song – from the socks to the listener. As I wrote those lines I started to view them as refugees, escaping a harsh reality to a place outside of time where they will not be used and abused, ripped up, chewed up and thrown away. For the darker twist, I wrote that there’s only one way in and no way out.

    As a jumping off point I started from visualizing the laundry room at my house, which was once the studio, but now the cat room with, like the song says, litter boxes and a catio door.

    This is an example of a song where I essentially wrote most of it away from the instrument. I started with the lyrics and then began to hear them set to a melody. The majority of the melodies were composed without even touching a guitar – I sang them into a voice note while driving. It was my second night on the road, waiting out a storm near Bakersfield, where I was set up in the van working out the melodies and harmonizing them on guitar.

    I had no concrete idea for a musical arrangement at that point. I kind of imagined it being arranged for piano, or sort of toy piano – almost like a song that would be in a children’s show. But ultimately the song took on a more straightforward guitar and vocal arrangement. The melody was set before I even touched the guitar though. There are several different movements in the song and everything was driven by this changing melody.

    Here’s the response I got from the Redditor who gave me the prompt:

    “This is GREAT! Cool 70s-like sound, carefree and well-done lyrics! ‘Join us in the dryer and shut the door behind you’ 😅 And the dryer sound in the end. A fantastic choice. Thank you for making my prompt into something so nice! 😊”

    I gave them a counter prompt in return: Write a song that tells a story in reverse chronological order – starting with the end, then the middle, ending with the beginning.

    I’d like to do something with that eventually. But for now, here’s Maytag Land.

    There’s a place
    Down the hall way
    Past the litter box and catio door

    A magic space
    There’s only one way
    In and no way out

    Where all is warm
    And all is fluff
    Theres treasure there
    And softness in the air

    Everyone’s an individual
    Not a single pair
    And you can join us there

    In Maytag land
    Come join our clan
    We’ll throw a sock party for you
    Be one of us
    We are not lost
    We have each other

    Just get into the dryer
    And shut the door behind you
    Those socks, you thought were lost?
    We’ll reunite you
    The bills and coins that disappeared are waiting for you
    Your guitar pick?
    We got that too
    You can play a little doodle loo

    In Maytag land
    Come join our band
    We’ll play a sock party with you
    Be one of us
    Join our chorus
    We’ll sing together

    La la la

    In maytag land
    Time sits still
    We don’t grow old
    And don’t grow holes
    Never stepped on never trashed
    Never ripped up by the cats
    We’ve left the cold hard world behind
    And we can’t go back

    Come join us in the dryer
    And shut the door behind you

  • Only The Lucky Grow Old

    Only The Lucky Grow Old

    This song was written during the first week of the fall 2025 songwriting group. I was already making progress on another song when this one came to me very quickly one night. I remember having a long day and getting very sick from some sort of caffeinated beverage in the evening. I was running sound at our local venue and sitting at the bar after the show when I had a conversation with an older man – he was at least twice my age. He said jokingly at some point, “I hope I stay young forever.”

    In that moment I felt three things at once: the awareness of my own youth sitting there next to him – I was just 33 years old. Then the awareness of friends who didn’t live much longer than I have, or barely made it past 33. Then the awareness that he was once my age and lived many more years that for me are probable at best, not guaranteed. I felt almost envious in that moment, realizing that I may have the gift of youth in his eyes, but he had the gift of time – time that some friends did not have, and I may not have. With all of this in mind, I replied, “Only the lucky grow old.” As soon as the phrase came to my mind and I spoke those words, I had this feeling: “That’s a good line!”

    After we wrapped up that conversation, I made my way home and the closer I got to the house, the more the caffeine-induced headache intensified. During that short drive, the melody and lines just started coming to me one after the other, and I sang them into my phone as I climbed up the hill. As soon as I got into the house and fed the dogs and cats, I retreated to my room where I shut the door and shut off all the lights. With this headache pounding, I sat down and worked out the entire song in the dark, line by line, working towards the line that inspired the whole thing.

    I was writing about all the things that were weighing heavy on my mind at that time: struggling financially, in serious debt, drowning under the weight of many responsibilities, while also looking at losing essential benefits, and all the while reflecting on the young friends who have lost everything and my own feelings of guilt and regret. The song ended up taking an ironic position – we are the lucky ones who are still here, still breathing, still going, growing older – yet we’re here spending our precious luck stressing about survival.

    After finishing the last lines, I laid down and slept for 10 hours.


    One more letter
    Written halfway
    Crumbled up
    Thrown away
    Just a taste to tease the heart ache

    If there’s a cure
    I ain’t gonna find it
    I never called back
    My therapist
    When they canceled twice
    I tossed their card away

    Come new years I won’t be insured
    Word came down from the billionaires
    They won’t keep floating a broke down bum like me
    When I shoulda been working I was on the road
    I came home when I had nowhere else to go
    I’ve gone broke again seeing how far I could bend

    That little squiggle scratched on the line
    On paper with the land and the man
    My name is not my name but if I don’t pay
    They could take it all away
    Take it all away

    I miss the simple days
    I miss sleeping on the side of the road
    I miss having no home no car no guitars no phone

    If I could go back
    I’d gather up the letters I tossed
    Package them and send em to the friends I’ve lost
    I had one chance and I’ve never been bold
    Only the lucky grow old

    ~~~~~~~~~~~~~~~~~~

    One last thing I would like to share about this song is a recording from my good friend Liam Warden, who sent me a piano and vocal rendition just days after I first recorded it and sent it to him. I prefer his version to my own, and it made me appreciate the song so much more.

  • Sweetheart

    Sweetheart


    Sweetheart began its life as a jumbled mess of riffs, melodies and nonsensical phrases stitched together with musical scotch tape. There were four or five sections to this piece but little intention behind the original lyrics. It didn’t go anywhere. Originally recorded in December 2024, it was almost a year later when I salvaged one guitar riff and a melody which became the jumping off point for Sweetheart.

    I went to a screening of Hayao Miyazaki’s film Howl’s Moving Castle in theaters in fall 2025. I had seen it a couple times before, but this time I was particularly captivated and the impact of the time travel elements and relationship between Howl and Sophie hit me stronger than ever before. I felt inspired to write a song about their relationship, and began writing from the perspective of Howl, beginning with the first words that Howl spoke to Sophie in the movie:

    “There you are, sweetheart. Sorry I’m late. I was looking everywhere for you”

    Directly after leaving the theater I began writing lines inspired directly from the dialogue and events of the movie. Somehow the demo I mentioned above came to my mind and I found that some of the lines seemed to land perfectly in time with the riff and fit one of the melodies of the demo – “way back in the past when I was just a boy I heard a voice that called my name.”

    From there I began working out the song at home, writing about the movie in a fun and interesting process, quite different from any other song I’ve written. I was pulling up lots of quotes and watching scenes of the movie along the way, and I even watched the movie again at home about a week after seeing it in the theater. This time I wrote down any quotes that felt significant and any notes on the events, dialogue, themes and characters in the film.

    I had so much to pull from, and I spent a couple weeks writing, and editing and writing and editing some more. Initially I wrote more exposition into the song, including more elements from the story, even referencing other characters. But in the end I wound up cutting much of what I had written, instead choosing to focus on what I felt was the most compelling part of the story – the relationship between Sophie and Howl, and the presence of magic, danger, time travel and so on in their connection. The lyrics guided the musical development and arrangement of the piece, taking a short riff and melodic motif and stretching them in many directions, bringing about whole new sections and themes that were not in the original demo. I’d say 80% or more from that original demo was scrapped or shelved, and the song turned into a much more intricate and interesting piece of music than where it began. I intend to re-record this song in a live band arrangement within the next couple months, stay tuned.

    I’m quite happy with how the song turned out. It’s a tribute to a beautiful piece of art from one of my favorite creators and film studios. All thanks and credit goes to Miyazaki and Studio Ghibli.

    “Sweetheart”


    There you are
    Sweetheart
    I’ve been
    Looking for you
    Everywhere
    Since you called
    To me
    Way back in the

    Past when I was just a boy
    I heard a voice that called my name
    You told me then
    To look for you
    I’m sorry that I took so long
    To find you
    My Sweetheart

    Too long I’ve lived heartless
    I fought and turned monstrous
    So scared I can’t stand it
    Hiding behind this magic

    I was searching for so long
    And now you’re here and you’re involved
    There is danger we’ve been cursed and you have seen me at my worst
    But you don’t flinch and you don’t scare
    I’m filled with courage when you’re there beside me
    My sweetheart

    Sweetheart
    Love of my life
    Sweetheart
    Love of my life

    I’m done running away
    I will come home to stay
    At last I’ve found someone
    Who I want to keep safe
    My sweetheart
    Love of my life

    You take my heart and feel its warmth
    You feel it flutter like a bird
    You break the spell and lift the curse
    And we are free to be together
    Sweetheart
    Love of my life
    Sweetheart
    Love of my life
    Sweetheart
    Love of my life

  • Perfect Time

    I arrived in Hobart in perfect time on March 20th. I was picked up at the airport by my new friend Dave, the kiwi I had met on Oahu. He took me to his home in Geilston Bay, the address of which is on my Tasmanian ID (valid till 2029). I arrived in the late evening so he got me set up in the guest space and showed me out to a space in the backyard where he kept his music gear. There he left me with the invite to play his drums, basses and acoustic guitar.

    I grabbed the guitar and the very first thing I started playing was this song. Perfect Time started with the intro – the melody and words came all at once:

    You can’t miss when you don’t aim
    Sit still and take it all in

    Guts tame our wounded hearts
    Press our heads to the grumbles

    Just like that I was off with the chord change, and the song dropping into the main section. The lines continued to come to me:

    There’s a song in the distance
    I can’t call the tune
    But I’ll sing what I hear and you can harmonize

    And it continued:

    We may never catch up to the tune
    We may be gone too soon
    But we care not for the future
    Here in perfect time

    All of this came all at once as soon as I touched the guitar. This would become the theme for my arrival on the island in the days to come.

    Around that time, I had been considering that acceptance is essential if I ever wish to be in accordance with reality. Anything and everything that occurs in our universe, for better and for worse, is “meant to be.” All the triumph and tragedy that brings about hope and joy, suffering and despair, is the only law and order in an otherwise chaotic existence.

    I spend plenty of time thinking about the past. Sometimes I’ll allow my mind to trail off to thoughts of what could’ve been – what I could’ve said, what I could’ve done differently, if I’d just kept walking down that road or turned my back on something before it was too late. These thoughts are not helpful, generally speaking. But I was coming back to this idea that I must accept that everything happens in perfect time. Although I could imagine things that could’ve been done to change the course of reality, the fact that something occurred simply means that was the only way it could’ve been. To deny that, to fight it, to try and think my way out of it or around it, would be to break from reality.

    It’s easy to say in moments of hope and optimism that everything happens in perfect time. It’s harder to say when tragedy strikes, when a dear friend is lost too soon, in moments where it sinks in that every living thing must die, recognizing that someday I will have to say farewell to all things.

    I spend so much time trying to make sense of the past, anticipating and predicting the future, yet the only thing that really matters, the only thing that exists, is right now. Right now is not a problem to be solved, only an experience to be had. In the clearest moments, we can settle into that presence, and all fear and anxiety and worry and dread will wash away.

    I had the first chunk of the song for some time, and I played around with it throughout the time I spent on my first trip to Tasmania. But I didn’t end up finishing the song until later in the year when I was back home during one of the song-a-week challenges.

    One cliché says it all: life is full of surprises.
    Don’t know how much time we got
    How many sunrises
    We may never see another moon
    We may be gone too soon
    But we care not for the future
    Here in perfect time

    The song is really quite simple in its scope. My mind goes off into mortality. There’s a layer of melancholy and melancholic contemplation lining the core of my being, rarely without presence in my thoughts. But this song is meant to be a declaration of acceptance – acceptance of our own mortality, an acceptance and letting go of all worry for a future that is not guaranteed, that does not exist, and on some fundamental level, a future that does not concern us.

    I have seen people express this idea that 1,000 years may pass, 10,000 or 100,000 years may pass, eventually everyone we knew, everything we knew, every trace and memory of us may be gone – and therefore, what is the point? But the events of this universe 100,000 years from now are even more meaningless than we could ever be, because we exist. We are here now, and in that, life has great meaning.

    The future is not guaranteed. We understand that the universe will go on, but the future for us, for humanity, for our ancestors, is not guaranteed. What is guaranteed is this present moment, so long as we are here. We exist, and here we shall remain – in perfect time.

  • Acaso

    Acaso

    From the March album – originally written Fall 2023

    “Acaso” came together during one of the most emotionally intensive periods of my songwriting life, built around a piece of music I’d been playing with for years. It was 2014 when I returned to the states after over a year of traveling abroad – this was a piece I’d begun playing on the road but finalized and decided to dedicate to the San Gabriel Valley suburb where I grew up. I called it “Temple City Theme.” Here’s a recording of the piece I did with my friend Stephen Reed (of the brilliant band Xinxin) on drums:

    The Songwriting Challenge

    “Acaso” was written in fall 2023 during the first round of a new songwriting group led by Tim Bulster (of Tiller of The Moon – check out The Songwriting Mind episode with this talented musician). We committed to eight weeks of writing a song per week, recording demos and sharing them with the group. This became the first of four challenges we’d complete between fall 2023 and winter 2024.

    Here’s “Acaso” as originally submitted to the song-a-week group:

    (Original demo recording)

    Back in 2017, my childhood home in Temple City had been sold and my parents separated at long last. The anchor that had tethered a broken, unhappy family was finally cut loose.

    “Acaso” became my reflection on that time and process – from a free life on the road to returning “home” to serve my family through this transition and see them through to the other side. Eventually leaving to find new homes where the search and quest to claim spaces for ourselves continues.

    Here’s the version released with the collection of songs “March” performed live in my living room.

    Video:


    The unknowns been good to me
    Much better friend than certainty
    I traveled long and I traveled far
    Found myself across the world
    Now I got a call I been waiting for
    It’s time to go back home

    Hey it’s okay
    To finish what you started
    It’s run its course
    I know we’re all exhausted
    Don’t fret we’ll be alright
    This days been coming all our lives
    No more tears no more fights
    Just step through the door
    Gotta go back home
    For the last time

    At home I got a role to play
    Our folks are going their separate ways
    It got so bad they can’t speak
    Their voices move through me
    It ain’t fun but it’s gotta get done
    If we’re gonna move on

    All packed up and I’m the last one out
    Last chord needing cutting was this house
    Where we were born where we grew old
    What stood between us and the cold
    This broken home is all we’ve ever known
    But it’s time we close the door
    We’re gonna find new homes

    Every video, every recording and every day is a fresh experiment. From the album “March 2024” available on Bandcamp and all streaming platforms. “March 2024” is a collection of songs that reflect my life and travels. Recorded across various states and continents, the sounds and images for the album cover a span of six years and 11,000 miles.
    https://linktr.ee/ericprincessdragon

  • Gutter Baby

    In all my travels, never have I met a gnarlier bunch of traveling folks than the “gutter punks.” I once got off a bus in New Orleans and immediately got heckled by one across the street yelling, “Hippie! Give me money!” Hitchhiking around the U.S. and Canada, I met quite a few – jamming, sleeping and hanging around on the streets, trying to catch lifts along the way.

    Inspired by people I met on the street around Montreal, Humboldt & Mendocino counties, this song is an amalgamation of stories I’ve heard from these folks, some of my own experiences traveling, and some inspiration for a happy ending from someone who made it out from the streets into a “normal” life.

    My first demo for this song was completed in January 2024 as part of a song-a-week challenge. Though most of it was written then, some of the lines go back to a dusty notebook I filled around 2014-2015 when I was hitchhiking around the states real heavy. I was looking for notes for another song when I found these words. I scrapped most of what I had written then, but the core idea was there – the story of a “Gutter Baby.”

    Just a baby
    Fourteen years old
    Scared to go back home
    Take your chances
    Hiding in the streets
    And learning to survive
    Starting a new life as
    A gutter baby

    Find some punks on the street
    Who take you under their wing
    They get you high and teach you to get by and you start traveling
    In every new town new trouble with the same struggles
    You graduate from the bottle to the pipe and to the needle
    Oh gutter baby
    Gutter baby

    Gutter baby
    Rabid on the street
    How did the world forsake you
    Gutter baby
    They got you hooked
    Hooked on poison hooked on violence
    Hooked on crime giving every reason
    For them to jack you up
    Gutter baby

    The cops know just who to fuck with when they spot you on their beat
    They’ll take any excuse to pluck you off the street
    They don’t care whether they lock you up or drive you to the edge of their town
    And they know that no ones gonna trip if they beat the shit out of
    A gutter baby
    Gutter baby

    Not a baby
    You’re growing old
    With dreams of your own
    Done with trouble
    All the drugs and drama
    All the death and all the trauma

    You leave it in the past
    You’re cleaning up your act
    You’re going to be a dad
    Now you have yourself a chance
    To give a love you never had
    A baby
    Your baby

    It ain’t easy to build when you’ve been beaten down
    And thought you’d be the next young punk to end up in the ground
    You’ve been cast aside abused and brutalized and didn’t know why
    But all the pain and trouble means nothing when you look in those eyes
    And see no struggle
    No fear
    No struggle
    Just a baby